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The Salamander's Quill

Author Archives: André J. Powell

Sailing the Silent Sea With Sanderson’s Laws

20 Monday Feb 2012

Posted by André J. Powell in Gaming, Observation, Reading, Writing

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Though our group has dwindled from nearly 15 to only two players, representing no less that 35 player characters who have lived, loved, fought and died in Earinna’ar’s © moldering tombs and sparkling palaces over a space of almost 20 years (holy-moly!), the quality of our experience and the pleasure we take in our company has suffered not a whit! Brothers and sisters-in-arms…how precious you are to me.

While gaming—pen-and-paper, table-top, true-RPG only; if you please, LOL!—has ever been an inspiration for my writing, I have never been even remotely tempted to render a game session or campaign into prose-fiction. I was not impressed with Laura and Tracy Hickman’s Dragonlance Chronicles (the first trilogy anyway) and though I read them, they are one of the few fantasy books I read that I ever ended up giving away. In my opinion RPG mechanics do not lend themselves to good fantasy fiction. The game world, its plots and the system foundation upon which they are built are designed for purposes at odds with the ultimate goal of fiction. Though RPG and fiction hold many traits in common and can inform each other, a direct translation from one the to the other is problematic. That being said, my campaign world setting was created more for fictionalizing than for gaming, and its environs are indeed where my stories take place.

For the last couple of gaming sessions, the dynamic duo of Ashkenkar/John and Thillis/Skip have test-drove, discussed and debated a portion of the magic system I’ve been researching and putting together for the fictionalized version of Earinna’ar ©. I’m happy to report that though there were continuity rough spots that needed to be smoothed, exploitive holes that needed to be filled, overall the engine functioned well—that is, the explanation of how and why magic works is viable if not altogether sound and complete.

Much work is left to be done before I’m completely satisfied. “Sanderson’s First and Second Laws of Magic” offer the best advice for developing viable and exciting, as well as working, magic systems. I’ve consulted quite a few other sources for advice: Card’s now classic How to Write Science Fiction and Fantasy; the wonderfully informative “The Writer’s Complete Fantasy Reference; volumes one and two of “The Complete Guide to Writing Fantasy and Steven Harper’s Writing the Paranormal Novel. An excellent RPG cross over reference was Expeditious Retreat Press’s A Magical Society: Ecology and Culture.  All of these were great reading, and thought provoking, but they concentrated more on what a writer needs to be mindful of when creating a magic system than describing a method for creating one—not a complaint, just an observation.

In the end I’ve come to the conclusion that what I’m looking for in terms of help doesn’t really exist. Each and every fantasy author’s system, hard or soft, has to come from within, whether it kants on the old or invents something new. The above references are helpful in warning me of the pitfalls associated with magic system creation, but ultimately there is no ‘method’ for creating such a system, only good advice.

Back to my tomes, tablets and testaments.

Originally posted in The Salamander’s Quill 1.0 now deleted.

Anne Rice Doin’ the Hoo-Doo That She Do So Well

17 Friday Feb 2012

Posted by André J. Powell in Observation, Reading

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Anne Rice was interviewed on NPR just recently. She’s back at it and has written a novel about werewolves entitled The Wolf Gift. Thank God! I say. In an age of teenage pop-candy vampires…glitter, glitter, glitter, it’s great to have the Grand Dame of truly interesting vampires back in action. This is not meant to be a review so much as a note to other writers about the interesting comments she made about her writing process toward the end of the interview. Check it out at NPR.org.

Originally posted in The Salamander’s Quill 1.0 now deleted.

Henry Miller’s Commandments

05 Sunday Feb 2012

Posted by André J. Powell in Observation, Writing

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My students recently finished The Crucible and I’ve had Henry Miller on my mind. Turns out, so do quite a few others as some of his writing advice was featured on a Huffington Post article just a few days ago. The quote concerning his “Commandments” of writing is from his book, “Henry Miller On Writing.” I understand he came up with these while living in Paris. Good advice is good advice regardless of who gives it, when it was given or where, thus I shouldn’t be surprised at how timely his tenets are, not only as they can be applied to writing but to any other creative focus oriented endeavor:

COMMANDMENTS

1. Work on one thing at a time until finished.

2. Start no more new books, add no more new material to “Black Spring.” (My oh my; how true did I find out these two, and number 10 below, to be!)

3. Don’t be nervous. Work calmly, joyously, recklessly on whatever is in hand.

4. Work according to Program and not according to mood. Stop at the appointed time!(-and “start at the appointed time” I would add as well.)

5. When you can’t create you can work.

6. Cement a little every day, rather than add new fertilizers.

7. Keep human! See people, go places, drink if you feel like it.

8. Don’t be a draught-horse! Work with pleasure only.

9. Discard the Program when you feel like it-but go back to it the next day. Concentrate. Narrow down. Exclude.

10. Forget the books you want to write. Think only of the book you are writing.

11. Write first and always. Painting, music, friends, cinema, all these come afterwards.

Mornings: If groggy, type notes and allocate, as stimulus. If in fine fettle, write.   Afternoons: Work on section in hand, following plan of section scrupulously. No intrusions, no diversions. Write to finish one section at a time, for good and all.

Evenings: See friends. Read in cafes. Explore unfamiliar sections–on foot if wet, on bicycle if dry. Write, if in mood, but only on Minor program. Paint if empty or tired. Make Notes. Make Charts, Plans. Make corrections of MS.

Note: Allow sufficient time during daylight to make an occasional visit to museums or an occasional sketch or an occasional bike ride. Sketch in cafes and trains and streets. Cut the movies! Library references once a week.

_____

The term “Program” gave me pause. I assume it means whatever writing rhythm has been set up and works for the writer. I plan to order the book and find out for sure.

Some might blanch at number eleven, but in light of number seven, I think the message is clear—at least, that is, the message as I understand it me: edifying entertainments and worthy distractions must come second to writing. No doubt he’d have meant blogs too O_o.

I look forward to reading this book, particularly due to his “self-educated” writer’s perspective.

Originally posted in The Salamander’s Quill 1.0 now deleted.

It’s Where You Look For It

02 Thursday Feb 2012

Posted by André J. Powell in Observation, Writing

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The world of Man is an ugly thing. Beauty is illusive and fragile. We roam a desert or wild outback wherein finding beauty is akin to dowsing for water or hunting for food, a constant never ending chore. The rewards are mercurial lasting only as long as they might and never as long as we may wish. It could be argued that if we were able to access beauty on demand and keep it for as long as we wished, we would soon tire of it and it would quickly lose its savor. Put that way, it is more easy to see Man as the mercurial element in the equation rather than beauty and that we must learn once again to see properly and to seek beauty in all its forms, in places where we have gone blind. The morning cup of coffee, for example, if taken for granted, has become a given, and is stripped of a deep mysterious beauty all its own.

From the moment the grounds are scooped, measured and deftly poured into the filter, their promising aroma teasing the unstuffed nose, to the final pouring of the first mouthwatering cup even as the machine pops and gurgles its final drips, brewing coffee has a beauty that even the most jaded can appreciate if they would but pause to think on it.

During the brewing, I fill my cup with water to warm in the microwave so that little of the coffee’s heat will be stolen by cold porcelain or ceramic. I push the button for “beverage” as I want only to warm the mug not cook it until its too hot to hold.

When the brewing is over, I fill my cup carefully trying not to spill a single drop. I have yet to find a carafe that does not dribble, so I slowly pour, keeping the stream small so I can listen to its promise, to just the right spot for creamer, a spot I instinctively recognize not matter the cup: my larger weekend mug, my Gryffindor travel mug, a standard restaurant sized mug or even a painted cup and saucer from my tea-cup collection.

I am not a clouds-in-my-coffee person, so after adding creamer, I enjoy stirring and watching the creamer’s misty wisps disappear. The even tan mixture means the brew is ready to drink, a sign that in a few seconds time I will feel the first of the hot liquid on my tongue and its acidic goodness will dissolve my morning mouth and when it hits my stomach, I’ll feel that odd, giddy coating splash.

“Ahhh” or “mmmm” I’ll say and lean against the counter just like in the commercials and have another sip. Glorious. I’ll marvel at how such a simple thing can be so satisfying. I’ll consider the Japanese Tea Ceremony and wonder if this isn’t a present substitute. I’ll toy with the idea of playing hooky, dreaming of writing and sipping coffee all day.

In the end the cup will sadly be empty, a reminder that the concerns of the day are impatiently lined up for their due. No coffee is strong enough to keep them waiting too long, but fortified with just a little overlooked beauty, they aren’t as onerous as they would be without it.

Originally posted in The Salamander’s Quill 1.0 now deleted.

I Was Warned

21 Saturday Jan 2012

Posted by André J. Powell in NaNoWriMo, Observation, Retrospection, Scions of the Moon, The Kevodran, Writing

≈ 1 Comment

Realizing a truth is so much more potent than simply understanding it. ~Tshamis DurUlekin, Master of the Purple Tower

I was warned and thought I believed the warning. From my present perspective however, I have to admit that deep down in my muddy subconscious, I must have thought I was an exception. I must have…because I find I am in the very place I was warned I would end up if I did.

I cheated on my main manuscript and now, she and the manuscript I was seduced by have both left me.

Yes, I, who have suffered the pain of adultery in real life, subjected my manuscript to the same disrespect and hurt. The odd thing is, I wasn’t lured away by a, “Sexy next book.” My siren was the NaNoWriMo project. The rules of the project require starting a new manuscript, but starting a new manuscript while I was still involved with the old one was exactly what Heather Sellers warned not to do in chapter 20 “Sexy Next Book” of Chapter After Chapter.

Oh, I thought I had it all worked out. The Kevodron would be primary manuscript and Scions would be the work I had waiting in the wings. When The Kevodran was finished, I’d pickup where I’d left off with Scions. It would then be the primary manuscript. Then, at the next NaNo, while still working on Scions, I’d take a break, work up something new as a secondary project and then return to Scions when the NaNo was over and finish it off. It was such a pretty plan.

What is odd is I was not all that enamored with Scions of the Moon, my NaNo project, in the first place so I was constantly thinking about The Kevodran, my first love, even while dallying with Scions. A whole load o’guilt, oh yes.

When the month ended, I stopped writing on Scions nearly immediately, but when I turned back to The Kevodran, she had turned away from me. She was, and still is, pissed off and holding me at arms length. I can’t say I blame her, I mean damn, who wouldn’t?

Surfacing from the metaphor, I’m  suffering from the “Creep”—just as Heather warned I would. Because I wasn’t fully committed to one idea, I had ceased to think about it, keep it in the forefront of my mind, meditating on the characters and plot, viewing all life through the lens of its reality. As a consequence, it has crept away. I opened up The Kevodran and it felt like I was suddenly looking up a very tall, very steep and rugged mountainside that I had to ascend to get back on top.

“So far,” I thought and I was instantly and totally drained of energy and I hadn’t even fingered a key.

I closed the document.

Thus, I haven’t written anything substantial or added anything to either of the manuscripts since the end of November, ’11. The end of semester, the holidays and HOL homework has demanded a significant portion of my attention, it is true, but the fact remains I have not returned to my 04:00 writing practice. I get up at that time, don’t get me wrong, but I’m not working on either manuscript. The truth is The Kevodran has crept away from me, hurt and disrespected and now, Scions, being left suddenly alone, has done the same and here I am once again writing about writing.   Sigh.

I should have listened to Heather. I bloody well knew better! I should have taken Brandon Sanderson’s advice and done the NaNo as I know I should have—namely writing from Orja’s point-of-view—because that’s where I was, that’s where the fire was burning. Screw starting a new manuscript. One writer: one manuscript to the bitter end, baby.

Now that I realize my mistake, what do I do?

Obviously I need to make peace with one of the two manuscripts, reacquaint myself with its information, re-immerse myself into its mental reality—essentially, spend the time needed to get back into her good graces, long and arduous though it might be, and remain faithful to the end.

Post script:

This situation begs the question, once again, concerning the nature of the writer’s life and how I am living it. I’m not going to revisit all the demands on my time like some jilted lover re-hashing with his friends, over and over again what happened as he works it out. I put myself on notice, once again however, that unless I can find a rhythm, a writing practice that I can consistently maintain, then all my efforts are wasted. A dreadful thought with sobering consequences.

Originally posted in The Salamander’s Quill 1.0 now deleted.

Sho ga nai

10 Tuesday Jan 2012

Posted by André J. Powell in Observation, Retrospection

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“What the hell am I doing here?!”

Sigh.

“In the spring, the snows will melt; the passes will open. Until that time…you…are…here.”

Originally posted in The Salamander’s Quill 1.0 now deleted.

Vacation’s Done

08 Sunday Jan 2012

Posted by André J. Powell in Observation

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I am the oddest of birds. Why did the gods created such a one as I?. Can one be born old…old on the inside? And now that I am old on the outside too, what next? Can I get all my Hogwarts homework done? Why don’t I love my characters…I mean why are the girls from the Moon Dust Monastery so hard to write about convincingly? Do I want to teach any more? Why do I write? How important is publication? Must I give up HOL? Why are people so rarely loved as they need to be? How do I carry on and love as best I can despite that? Do I have time to research who Mairi Nighean Alasdair Ruaidh really was, what really happened to her and to play her piobaireachd? Can I afford not to? Why can I not shake off the barghest? Is there no way to foil the Hunt? I wonder if I can get hold of a real horseshoe? How does magic work on Earinna’ar ©? Am I a good son…husband…father…mentor? Why do I dislike Christmas so? Is it possible to, “…honour Christmas in my heart and try to keep it all the year”? Is it that I do not, “…in the Past, Present and the Future” or that “That the spirits of all three…” do not “…stive within me”? Can we live without turning the house back over the bank? How can we live if we do not? What do I have to look forward to? How can I help those dear to me look forward to something? If this is it; if this is all; how must I see it to live happily? How did I ever fall out of the practice of walking the dogs when I love their company so? How is it so easy to lose the things we love, but it is so hard to take them up again?

This was a good vacation for asking such questions and writing about such things.

I’m looking forward to next December for the sake of the Hobbit. Amazing trailer. I feel they got the song just right.

But before that…

I hope they’re good…I need something to look forward to.

Time Pressures or The Right or The Left; Which Do I Cut Off?

17 Saturday Dec 2011

Posted by André J. Powell in Observation, Writing

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I woke up this morning with a headache and Shirley Temple’s voice singing “I Wanna Hippopotamus For Christmas” competing for air time in my head. Ugh! Christmas! I’m not a Grinch, by any means, but this is distinctly not my favorite time of year. I’ll skip the rant concerning commercialization, secularization or how rude folk can be in the check-out line. The thing is, for the sake of writing, I’ve just done little or no shopping and the oppressive weight of the 25th is bearing down on me like an approaching thunderhead full of lightening and rain.

Time. The would-be writer’s bane. Either I feel I don’t have enough of it or I feel I’m using it unwisely. For a brief month or more this summer I felt I was in the groove and making the most of it. In reality I may simply have been surfing on all the “free-er” time I had due to vacation. During the work-year, which as of next Thursday at 15:00 will be half over, it is much more problematic.

Nearly all the books on craft I have read, Schmidt, Monteleone, Sellers, Bates, King and Bickham, make it clear that writing is both hard work and time consuming. To get it done, one must dedicate time and energy with discipline and devotion. I am fortunate that of the six sections of English I teach, two of them are honors classes. I am constantly telling them, “Successful honors students are driven to excel, dedicated to their education above all else and are disciplined enough to see ‘it’ to the end. It you don’t have what it takes, step down.”  I realize that every time I say this, I am actually talking to myself: “Successful writers are driven to write, dedicated to their craft above all else and are disciplined enough to see their manuscript through to its fullest potential. If you don’t have it, move on.”

After the NaNoWriMo I feel I have been less than focused and no where as driven, dedicated or disciplined as I should be. My 04:00 writing sessions are lethargic and not producing the successes they did this summer. Time seems to be at issue, but it’s not really ‘time’ per se, so much as it is the demands on that time placing pressure on my productivity and satisfaction. Now, this is a scary thing to admit as it begs the question: if I can’t make time for everything, what will I give up to release some of that anxious pressure in my chest and that sense of impending doom so as to give my writing time room to produce (because I sure as hell, ain’t given up my writing)?

I don’t know.

I presently have five time-competing secular interests and demands that are not seasonal like Christmas shopping, which, regardless of its presently un-done state, will be done by the 25th: family, school, bagpiping, HOL, blogging and Oblivion. In some ways I’m glad, very glad, these are the things that I’ve got threatening me with torrential downpours as they happen to be clearly identified. I would hate to wander around in my head cluelessly looking for the source of my distraction.

Family. This is, of course, a no-brainer. Can’t live without ‘em; can’t kill ‘em and while I wish they were a little more interested in what I’m writing, I am thankful they appreciate what I’m doing enough to give me room to write. I see rainbows, bless ‘em.

School. Of all the demands, this storm cloud is the one I resent the most. I could go on nauseatingly about the state of education. I’m not going to. Suffice to say, that this used to be the thing by which I defined myself: Andre’ the high school English teacher. Federal, state, regional and local politicians and administrators, however, chasing the super-student on the “road to no where” have robbed me of the joy of teaching. From bell to bell when I’m with my kids, I still love what I do, but during the down time when politically driven bullshit resumes its regularly scheduled programming, I hate the career and dream of writing for a living. It gets eleven hours of my day for only seven and half hours of pay and there it is.

Bagpiping. Another no-brainer. It is who I am. My Gaelic heritage, of which I am fiercely proud, calls with all the power of the North Sea. I could no more give up piping than I could writing. In my heart I have been able to convince it to take a back seat to writing, but when the page refuses to give up its secrets, I turn to piobaireachd, play Cumha Mairi Nighean Alasdair Ruaigh or Struan Robertson’s Salute and the world rights itself. I will not attempt to explain how deeply impacting that moment is when the drones and chanter reeds vibrate sympathetically enveloping me in a warm cocoon of sound that can lead me to “…converse with old folks of old affairs.” Suffice to say it would be no more possible to give this up than it would family or to stop working all together.

HOL. Hogwarts Online. So demanding. So satisfying. So amazing. This online simulation is a complex interest to describe. More than Harry Potter, as a teacher, I fell  in love with the idea of a Wizarding school. How cool would it be to attend or teach at such a place? HOL is that option. With joy and surprise I found it directly feeding the writing animal inside me and I have written more short stories and poems as a result of HOL homework assignments and projects than I ever have. Some resulted in Rowlings fan-fiction, I am decidedly unashamed to admit, but more were original works inspired by classes in fairy tales and folk lore. I really don’t want to give that creative stimulation up. Unfortunately, I also worked my way into the lower echelons of HOL administration. As with all positions of responsibility in such a situation, it is time-consuming to create entertainment for others. I struggle with pressure issues there and have not been as present as a Prefect should. It’s not fair to my HOL friends or my writing. It is the single most pressing thought on my mind, one I will admit to avoiding dealing with.

Blogging. Well. I’d like to blog every other day but that rarely happens. In a way, it has taken the place of journaling and though I may not be as ‘all-reveling’ in it, blogging, especially “The Salamander’s Quill,” is the conduit, tiny though it is, I use to inject myself into the writing world from my lonely desk top. It takes care of itself though and is easy neglected for the sake of a manuscript page without the crack of guilty thunder the others above do.

Oblivion. I want to kill the kid who gifted me the game for Christmas. I’ve spent too much time playing just the “…next quest.” I am thirsty to RPG and this is the next convenient thing to it. I think, however, that it is also the most easily marginalized pursuit conflicting with my writing. Problem: it’s fun. Damnit.

And let’s not even mention the upcoming season premiers of Merlin and Camelot. I hope they suck and I won’t want to watch them.

HOL admin and Oblivion? How badly do I want to write? How driven, dedicated and disciplined am I? I need to find out. Now. Before the rains come; I’ve got Christmas shopping to do.

Originally posted in The Salamander’s Quill 1.0 now deleted.

The Storytelling Fire

08 Thursday Dec 2011

Posted by André J. Powell in Retrospection, Writing

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I posted the following yesterday to the OLL blog. I’m not going to link it because things got a little out of hand when it came to copying and pasting my missive from MSWord to the blog and it copied twice and placed an ‘enter/return’ after just about every paragraph. I have no doubt posters who followed were wondering who the dingle was that took up all the space. With a sigh, I raise my hand. Yep, I’m the asshole who obviously was trying to get the most attention. In my own defense, there was no edit or delete option I could find. Anyway, since “Post NaNo Blues,” I’ve been thinking while listening to Jim Dale’s superb voice-acting on Harry Potter and the Goblet of Fire on the way to work, trying to fit my big-boy suit on and get back in the writing saddle. Yes, I’m still somewhat bummed, but it’s time to get it under control and look at the ‘good-stuff’ I happened across while doing-the-NaNo (sound like a new dance) and in retrospect there was a lot. Not the least of which was a greater appreciation of being a storyteller amongst storytellers.

Storytelling can be such a lonely business in modern society. The lone writer pounds or scribbles out his or her story in silence and privacy without any grantees the tale will see the light of day or ever be read or heard by anyone other than themselves. Writing can sometimes feel like a life-sentence more than a life’s vocation. The appreciative, receptive and immediate community that responded to the Irish seanchaí or the Indian vyas does not, for the most part, exist for the modern writer, but we ache for it nonetheless–something in our storytelling DNA remembers the aboriginal fires and dramatic shadows dancing across cold cave walls.

Though I played with the idea of participating in the NaNoWriMo for sometime, even lurked a bit on site during the ‘off season,’ I could never work up the wherewithal to tackle it. I constantly made excuses: too much work, too much family, too many outside obligations. After a summer of what I call, “writing like a man on fire,” in which I made 50k targets on a couple of NaNoWriMo-wannabe-clone-sites, I decided this year would be different; this year I would take on the NaNoWriMo and regardless of where I ended up, I’d get there fighting the good fight. Well, I did and I made it and battered, bruised and wheezing I arrived at the winners’ circle.

More important to me than making the target however, has been the discovery of an amazingly supportive and world wide community of storytellers and folk interested in seeing stories told. It has made the difference between my summer experiences and the NaNoWriMo as marked as night and day. The ease of site navigation made it conducive to poking about and exploring, something I would not have done had it been slow or disconnected. As it was I met some wonderful writing buddies, read amazing and funny posts, checked out my region and attended a write-in of four brave souls including myself. I enjoyed and appreciated the communication between staff and WriMo’s, the videos, blog posts and encouraging letters. It was so delightful and inspiring.

I was so impressed by the resources afforded by the program, so moved by the active participation of staff and WriMo’s, that I went so far as to set up a fund-raising page and campaign for sponsorships. You cannot know what a step and endorsement that was for me. I detest fund raising. I have very strong adverse feelings about it, but the sincerity and dedication of staff and the underlying theme and emphasis of the program was something that this crusty old English teacher could truly get behind and support.

The bottom line however, is that my first experience with the NaNoWriMo turned out as wonderful as it did because of the amazing sub-culture of support and acceptance built around and into it. It is a warm and welcoming, encouraging, entertaining and immediate community. Being a part of this whole thing has been a heady and invigorating experience, so much so that it’s almost depressing to have it come to an end. I walk away, however wistfully, inspired to keep writing, to keep on storytelling, armed with a new perspective of what is possible and with the knowledge that there are so, so many others like me out there aching to tell a story ,completely grateful to finally find a place, a warm crackling fire surrounded by glowing up turned faces, to begin telling our tales.

Originally posted in The Salamander’s Quill 1.0 now deleted.

Post NaNo Blues?

06 Tuesday Dec 2011

Posted by André J. Powell in NaNoWriMo, Observation, Retrospection, Writing

≈ 1 Comment

“Sunwolfe”

This is not meant to be a profile, but I see some irony in my long standing choice of screen name and what I’m feeling right now…some synchronicity and some paradox.

I am a writer and therefore a lone wolf of sorts, writing being the lonely business all the experts purport it to be.

I am not, however, a ‘dark man of mystery’ that my choice of totem might insinuate, not by even the most outrageous stretch of the imagination. I think I work with so many “Bride-of-Satan” and “Misunderstood-vampire” types—cue the heavy sigh—as a high school teacher that the image lost its savor long long ago. No, the wolf I picture myself as is not furtive or tragic in its creativity, but one who is naturally prone to warm smiles and a ready laugh, though I admit to being moon-sensitive, prone to introspection and melancholy in my private moments.

Actually, my students call me, “Papa-Bear.” One rather bright young oracle, and with an accuracy that actually scared me, called me “The Sad Clown.” Shurg. We all have our ups and downs.

I guess I’m on a down now that the NaNo experience is over, some sort of post-NaNo Depression, and am suffering an onset of withdraws. I wouldn’t be surprised if there was such a phenomenon, the mind being what it is, but I’m just a bit taken aback at being subject to it myself. I suppose it stands to reason though.

First there was all that build up in the weeks prior to the event. I’m not a pantster, but an outliner from way back, so my approach to the month was built on previous ideas and outlines that were the basis for a fairly extensively laid out plan of attack. I was checking out what others were up to in their novel synopsis and snippets. There were forums to digest, writing buddies to carefully pick, donations to make and regions explore.

Then there was month itself was full of activities that spawned spin offs and narrower explorations: forums to monitor, author and novel descriptions to write, a sponsorship page to set up, NaNoMail to send and read, Regional activities and Write-ins. The final push for the finish line was chaotic and blinding; it’s focus so sharp and pointed.

BAM! Suddenly it’s November 30th and it’s done-done-duuuun!

An odd lull set in afterward, a sudden silence, followed by the Scrivener build up that produced anothera flurry of writing centered activities: project saving, uninstalling the beta version, installing the full trial version and uploading the project, getting the 50% off coupon for the win, pay for the license and apply it.

So now what? Continue to work on my NaNo project? Return to work on The Kevodran? Try and make up for being absent at HOL and finish all my homework?

I’m in a weird space.

During the lull between NaNo and Scrivener I blogged a bit (three versions of this). I spent too much time trolling the NaNoWriMo website for interesting blogs and reading up on what peeps had written about. I read the forums I hadn’t earlier. I dedicated an inordinate amount of time to Elder Scrolls IV: Oblivion, a major time suck.

WTF am I doing? Not working on my manuscript, that’s for sure.

I wonder if I’m Jonesing for a writing community? The NaNoWriMo was such a heady experience, all the resources, the buddies, the concern. It was like a Writing Woodstock. Am I wanting something similar locally, with warm bodies? I know the late Jack M. Bickham, AKA John Miles, a prominent novelist with over 30 books to his name, was pretty skeptical about writer’s groups and their usefulness, saying,

“…to ask a club member, relative or friend for criticism is mostly a waste of time for at least two reasons: they won’t be honest; they usually don’t know what they’re doing anyway” (Bickham 85).

Ouch, I can understand that from a certain POV, but I’m not sure I’d be there for criticism, which of course begs the questions why go and why the desire?

I guess I’m wishing for the quintessential “Inkling” experience: the pub, the authors, the exchange, the discussion, the affirmation and the ale/coffee/tea. It could be all part of that romantic image many of us, including myself have of what it means to be a writer—characters taking over our story, muses that highjack plot and other myths. Shrug. I’m guessing it’ll soon pass as I cease the avoidance behavior—gaming, cruising, blogging—pick my manuscript and get back to “Two hours or 2k a day.”

There is no magic bean, no silver bullet, no arcane method. It’s all about sitting down, shutting the hell up and pounding out the words.

Who said that? Oh, yeah: me.

Bickham, Jack M.  The 38 Most Common Fiction Writing Mistakes (and How to Avoid Them).  Cincinnati, Writer’s Digest Books: 1992.

Originally posted in The Salamander’s Quill 1.0 now deleted.

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A wanna-be writer and sometime poet trying to live, love and learn as much as I can with the time I have left.

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